On the bench today is yet another Gibson with one of those clumsy molded plastic bridges. Some executive…who clearly was not a guitar player and VERY CLEARLY did not understand the legacy of this great brand…thought this would speed up production and cut costs. At least that’s the theory. I don’t know…
Some people really love the sound of Gibsons with these bridges. And they are quite lovely, I’ll admit. Tone favors the midrange for sure, without definition or focus. Bass end definitely lacking.
So my customer and I decided that replacing the plastic bridge with a period correct wooden bridge would be the best option. After all, they only used this design for 2-3 years at best. The guitars made prior to this design, and after, all used traditional Gibson “reverse belly” rosewood bridges. So far I have removed all the screws and bolts, filled the six extra holes in the top, reglued a loose bridge plate and glued a thin bridge plate patch of maple to cover all the damage to the original plate. I carefully made a reproduction bridge from Madagascar Rosewood since Brazilian is impossible to find, and Madagascar is considered by most luthiers to be very similar in tone and appearance. The bridge is now glued, but I still need to route the saddle slot.
If I were to simply make an exact copy of a vintage rosewood Gibson bridge from this era, it would not cover the imprint of the plastic bridge. The dimensions are slightly larger on the plastic bridges, plus over time they warp and dig into the finish on the guitar top. I always carefully contour the replacement to be a clean curve that will both cover the imprint and match the aesthetics of a vintage bridge. It’s always a compromise, so the replacements almost always are just slightly oversized from a vintage example.
I can’t wait to give this guitar back to its owner! Not only will it look better with the new bridge, it is going to sound so much better. Believe me…this is the fourth Gibson bridge conversion I have done since February, and they always always come out with a much stronger bass response, and a more rounded mid-range. More complex overtones and harmonics. He’s going to be happy.
UPDATE: Project. finished, and customer quite pleased.